Essential Tips and Planning for a Career in the Performing Arts

This is Part 1 of larger synopsis for indigenous self-represented artists interested in the performing arts, and will focus primarily upon acoustic music (although many of the same points apply to dance and theatre).

Perhaps the most important aspect of the business of acoustic music for the self-represented artist is their examination of the business itself, and to determine how much of the artist's perception of the business is fact or fiction. In most cases, the artist's perception of the industry is overly simplistic and naïve. Let's address some of the fundamental issues that an emerging self-represented artist must examine if she/he is contemplating a career in acoustic music in the United States. Because the industry changes and fluctuates constantly, there is no formula or curriculum that can guarantee success. In many cases, success is attained through trial, error, and most importantly…luck.

Perceptions and Expectations of the Business of the Performing Arts
Questions for the forum which everyone should chime in on:
1. How do you imagine the business in really works in general?
2. Can you (or do you wish to) make a living at it?
3. What are the popular myths you've heard?
4. What is a "market"?

Cheers.
Bear Claw